An edition of Songs and Stories of the Ghouls (2011)

Songs and Stories of the Ghouls

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Last edited by ImportBot
August 15, 2020 | History
An edition of Songs and Stories of the Ghouls (2011)

Songs and Stories of the Ghouls

  • 1 Want to read

Left dead after our cultures were broken by triumphant enemies, our stories changed to suit others. We now change them again to suit ourselves. Songs and Stories of the Ghouls purports to give power to the dead--voices to the victims of genocide both ancient and contemporary--and presence to women. Medea did not kill her sons; Dido founds a city, over and over again, the city of the present author's poetry. In these poems the poet asserts that though her art comes from a tradition as broken as Afghanistan's statuary, there is always a culture to pass on to one's children, and one is always involved in doing so. We are the ghouls, the drinkers of the blood-sacs, and we insist that we are alive. -- Jacket.

Publish Date
Language
English
Pages
201

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Previews available in: English

Edition Availability
Cover of: Songs and Stories of the Ghouls
Songs and Stories of the Ghouls
November 15, 2011, Wesleyan University Press
Paperback in English
Cover of: Songs and Stories of the Ghouls
Songs and Stories of the Ghouls
2011, Wesleyan University Press
in English

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Book Details


Edition Notes

Published in
Middletown, CT
Series
Wesleyan Poetry Series

Classifications

Dewey Decimal Class
811/.54
Library of Congress
PS3564.O79 S66 2011, PS3564.O79S66 2011

The Physical Object

Format
Paperback
Pagination
vi, 201 p. ;
Number of pages
201

ID Numbers

Open Library
OL25149773M
Internet Archive
songsstoriesghou00notl
ISBN 10
0819569569, 0819571539
ISBN 13
9780819569561, 9780819571533
LCCN
2011023518
OCLC/WorldCat
712117824

Work Description

Left dead after our cultures were broken by triumphant enemies, our stories changed to suit others. We now change them again to suit ourselves. Songs and Stories of the Ghouls purports to give power to the dead--voices to the victims of genocide both ancient and contemporary--and presence to women. Medea did not kill her sons; Dido founds a city, over and over again, the city of the present author's poetry. In these poems the poet asserts that though her art comes from a tradition as broken as Afghanistan's statuary, there is always a culture to pass on to one's children, and one is always involved in doing so. We are the ghouls, the drinkers of the blood-sacs, and we insist that we are alive.

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History

Download catalog record: RDF / JSON
August 15, 2020 Edited by ImportBot import existing book
August 5, 2017 Edited by Yolanda added description & tags
February 24, 2017 Edited by Yolanda Added new cover
December 29, 2011 Created by LC Bot import new book