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Accompanying the only American showing of an exhibition devoted to the painter Stuart Davis (1892-1964) at Washington's National Museum of American Art during the summer of 1998, this publication offers a fresh look at the quintessential American painter of the early modern period.
An aficionado of jazz who experimented with improvisational composition, Davis created, in the 1920s and 1930s, a spirited American variant of Picasso's and Braque's synthetic cubism and anticipated key elements of pop art. Essayists include leading American scholars of Davis's work and jazz critic Ben Sidran.
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Previews available in: English
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Catalogues raisonnés, Exhibitions, Art styles: c First World War to 1960, Catalogues raisonnes, Painting & paintings, Art, Biography / Autobiography, Artists, Architects, Photographers, General, Individual Artist, Personal Memoirs, Art / General, Collections, Catalogs, Exhibitions - General, Reference, Graphic Arts - General, 1892-1964, Art & Art Instruction, Printmaking, Davis, Stuart,, Davis, stuart, 1894-1964, Art, catalogs, Graphic artsPeople
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Includes bibliographical references (p. 203).
"A Bulfinch Press book."
"Venezia, Collezione Peggy Guggenheim, 7 giugno-5 ottobre 1997; Roma, Palazzo delle Esposizioni, 22 ottobre-12 gennaio 1998; Amsterdam, Stedelijk Museum, 1⁰ febbraio-19 aprile 1998; Washington, D.C., National Museum of American Art, 22 maggio-7 settembre 1998"--P. [3].
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