An edition of Themes of contemporary art (2012)

Themes of contemporary art

visual art after 1980

Third edition.
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Last edited by Scott365Bot
October 24, 2023 | History
An edition of Themes of contemporary art (2012)

Themes of contemporary art

visual art after 1980

Third edition.
  • 0 Ratings
  • 4 Want to read
  • 1 Currently reading
  • 0 Have read

"Offering a unique thematic approach to recent art history, Themes of Contemporary Art: Visual Art after 1980, Third Edition, focuses on eight central ideas recurring in art over the past few decades: identity, the body, time, memory, place, language, science, and spirituality. Featuring 160 vivid illustrations (23 in color and 137 in black and white), this wide-ranging introduction presents artworks that exemplify a variety of materials, techniques, theoretical viewpoints, and stylistic approaches, by artists from diverse ethnic, cultural, and geographic backgrounds. Concise, engaging, and accessible, this thought-provoking volume challenges readers to think actively and critically about the ideas expressed in contemporary art. New to this Edition Updated throughout with the most recent scholarship, research, and developments in the field A new chapter on memory as a theme in contemporary art and culture An updated timeline that reflects world events and developments in art and pop culture through today 3 new artist profiles 31 additional illustrations"--

"Chapter 1 presents a broad introduction to important developments in art and to ideas and events that influenced art in the period from 1980 through 2011. It introduces ideas that apply to all the themes discussed in subsequent chapters. Chapters 2 through 9 delve into the themes themselves, one theme to each chapter in the following order: identity, the body, time, memory, place, language, science, and spirituality. Chapters 2 through 9 follow a similar format. An introduction situates the theme within a broad social and cultural matrix, a brief historical overview discusses artistic approaches to the theme and related concepts in earlier eras, recent artists' treatments of the theme are evaluated in terms of key theories and strategies of art production, and the theme is examined in terms of subcategories that have received critical attention in contemporary exhibitions and publications. Following an in-depth discussion of the theme, each chapter provides two profiles of individual artists. Each profile presents a concise examination of the ideas and approaches of an artist who has devoted a substantial portion of his or her creative energies to exploring aspects of the theme under discussion"--

Publish Date
Language
English
Pages
434

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Edition Availability
Cover of: Themes of contemporary art
Themes of contemporary art: visual art after 1980
2012, Oxford University Press
in English - Third edition.

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Book Details


Table of Contents

Machine generated contents note:
Preface
Introduction
Themes of Contemporary Art: What, Why, and How
A Brief Orientation
Chapter One: The Art World Expands
Overview of History and Art History, 1980-2011
Traditions Survive, New Trends Arrive
A Spectrum of Voices Emerges
Globalization
Theory Flexes Its Muscles
Social Experience as Art
Art Meets Contemporary Culture
Chapter Two: Identity
Identity in Art History
Identity is Communal or Relational
Identity Politics
- Essentialism
- Diversity
- Hybridity
Identity Is Constructed
- Otherness and Representation
- Deconstructing Difference
- The Fluidity of Identity
Post Identity
Profile: Nancy Burson
Profile: Shirin Neshat
Chapter Three: The Body
Past Figurative Art
A New Spin on the Body
- The Body Is a Battleground
- The Body Is a Sign
- Performing Bodies
They Body Beautiful
Sexual Bodies
- The Gaze
- Sex and Violence
Mortal Bodies
Posthuman Bodies
Profile: Renée Cox
Profile: Zhang Huan
Chapter Four: Time
Changing Views of Time
Time and Art History
Time as a Medium
- Live Art
- Film and Video
- Process Art
Exploring the Structure of Time
- Counting Time
- Measuring Time
- Reordering Time
- Expressing Endlessness
Profile: Hiroshi Sugimoto
Profile: Cornelia Parker
Chapter Five: Memory
Memory and Art History
The Texture of Memory
- Memory is Emotional
- Memory is Unreliable
- Memory is Multisensory
Strategies for Representing the Past
- Displaying Evidence
- Reenacting the Past
- Fracturing Narratives and Reshuffling Memories
Storehouses of Memory
Revisiting the Past
- Recovering History
- Rethinking History
- Reframing the Present
Commemorating the Past
Profile: Christian Boltanski
Profile: Brian Tolle
Chapter Six: Place
Places Have Meanings
Places Have Value
History's Influence
- (Most) Places Exist in Space
- (Most) Works of Art Exist in a Place
What's Public? What's Private?
Dislocation
Looking at Places
Looking Out for Places
Fictionalized Places
Profile: Unilever Series at Tate Modern
Profile: Andrea Zittel
Chapter Seven: Language
Words with Art: A History
Art with Words: A History
Recent Theories of Language
Reasons for Using Language
Language Makes Meaning
Language Takes Form
- Transparency and Translucency
- Spatiality and Physicality
- Books Made by Artists
- Art Made with Books
Wielding the Power of Language
Naming
Confronting the Challenge of Translation
Using Text in the Information Age
Profile: Nina Katchadourian
Profile: Janet Cardiff
Chapter Eight: Science
What is Science?
Artists as Amateur Scientists
Artists Adopt Scientific Methods and Materials
- Creole Technologies
- BioArt
The Ideology of Science
- Changing Paradigms of Science
- Is Science Running Amok? Activist Art Responds
The Visual Culture of Science
- Scientific Imaging and Art
- Deconstructing the Visual Culture of Science
- Scientific Displays and Archives
- Science in Popular Culture
Classifying Humans in the Genomic Age
Is Nature Natural?
Marveling at the Universe
Profile: Patricia Piccinini
Profile: Eduardo Kac
Chapter Nine: Spirituality
Spirituality and Religion
A Short History
A Few Strategies
- Manipulating Forms, Materials, and Processes
- Manipulating Meanings and Minds
Finding Faith and Harboring Doubt
Expressing Religious Identities
Facing Death, Doom, and Destruction
Mingling the Sacred and the Secular
Profile: José Bedia
Profile: Bill Viola
Timeline
Selected Bibliography
Index
Color Plate.

Edition Notes

Includes bibliographical references and index.

Published in
New York

Classifications

Dewey Decimal Class
709.04/8
Library of Congress
N6490 .R5487 2012, N6490.R5487 2012, N6490 .R5487 2013

The Physical Object

Pagination
pages cm
Number of pages
434

ID Numbers

Open Library
OL25283361M
Internet Archive
themesofcontempo0000robe_p5l3
ISBN 13
9780199797073
LCCN
2012014273
OCLC/WorldCat
785722029

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History

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October 24, 2023 Edited by Scott365Bot import existing book
August 15, 2020 Edited by ImportBot import existing book
February 28, 2020 Edited by MARC Bot remove fake subjects
July 14, 2017 Edited by Mek adding subject: Internet Archive Wishlist
April 18, 2012 Created by LC Bot import new book