An edition of The original copy (2010)

The original copy

photography of sculpture, 1839 to today

by

The original copy
Roxana Marcoci, Roxana Marcoci
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Last edited by MARC Bot
January 3, 2023 | History
Edit
An edition of The original copy (2010)

The original copy

photography of sculpture, 1839 to today

by

"The exhibition and book were conceived by Roxana Marcoci ... who organized them around distinct conceptual ideas. Examining the rich historical legacy of photography, and the aesthetic shifts that have taken place in the medium over the last 170 years, she also built on extensive conversations and collaborations with living artists to explore its uses within contemporary art practice. At the same time she asked the question, 'What is sculpture?,' tracing it through a selection of 300 outstanding pictures that tap on a broad spectrum of expressions, ranging in subject from inanimate objects to the performing human body. The Original Copy incorporates impressive groups of works by many key figures of modernist and avant-garde art"--P. 7.

Publish Date
Publisher
Museum of Modern Art, Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers
Language
English
Pages
256

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Subjects

Photography of sculpture, Exhibitions, Photography of art, Photography, History, Art and photography

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Edition Availability
Cover of: The original copy
The original copy: photography of sculpture, 1839 to today
2010, Museum of Modern Art, Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers
in English
  • Not in Library
Libraries near you: WorldCat

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Book Details

Table of Contents

The original copy: photography of sculpture, 1839 to today / Roxana Marcoci
An almost unlimited variety: photography and sculpture in the nineteenth century / Geoffrey Batchen
From sculpture in photography to photography as plastic art / Tobia Bezzola
Plates, with introductions / Roxana Marcoci
I. Sculpture in the age of photography
II. Eugène Atget: the marvelous in the everyday
III. Auguste Rodin: The sculptor and the photographic enterprise
IV. Constantin Brancusi: The studio as Groupe Mobile and the Photos Radieuses
V. Marcel Duchamp's Box in a valise: the readymade as reproduction
VI. Cultural and political icons
VII. The studio without walls: sculpture in the expanded field
VIII. Daguerre's soup: what is sculpture?
IX. The pygmalion complex: animate and inanimate figures
X. The performing body as sculptural object.

Edition Notes

Published in conjunction with the exhibition held at the Museum of Modern Art, New York, Aug. 1-Nov. 1, 2010 and the Kunsthaus, Zürich, Feb. 25-May 15, 2011.

Includes bibliographical references (p. 242-247) and index.

Published in
New York

Classifications

Dewey Decimal Class
779.973
Library of Congress
TR658.3 .M36 2010, TR658.3, TR658.3 .M37 2010

The Physical Object

Pagination
256 p. :
Number of pages
256

ID Numbers

Open Library
OL25359873M
ISBN 10
0870707574
ISBN 13
9780870707575
LCCN
2010922102
OCLC/WorldCat
587110550

Source records

Library of Congress MARC record
Better World Books record
Library of Congress MARC record
marc_columbia MARC record
harvard_bibliographic_metadata record

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January 3, 2023 Edited by MARC Bot import existing book
August 2, 2020 Edited by ImportBot import existing book
June 27, 2012 Created by LC Bot import new book