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Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that questioned conventional habits of music and art consumption. This book explores the first decade of creative video work, focusing on the ways in which video technology was used to dissolve the boundaries between art and music [Publisher description]
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Previews available in: English
Edition | Availability |
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1
Sounding the Gallery: Video and the Rise of Art-Music
2013, Oxford University Press, Incorporated
in English
0199861412 9780199861415
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2
Sounding the gallery: video and the rise of art-music
2013, Oxford University Press
in English
0199861404 9780199861408
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3
Sounding the Gallery: Video and the Rise of Art-Music
2013, Oxford University Press, Incorporated
in English
1299485308 9781299485303
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Book Details
Table of Contents
Edition Notes
Includes bibliographical references and index.
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