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The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made.
Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamorous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.
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Subjects
Blade runner (Motion picture)Edition | Availability |
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Future Noir: The Making of Blade Runner
May 23, 1996, HarperPrism
Trade paperback
in English
- First edition
0061053147 9780061053146
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Book Details
First Sentence
"It's only fitting that a book examining the history of one of the most compulsively detailed motion pictures ever made should spring from one writer's equally compulsive obsession with that picture."
Edition Notes
Includes bibliographical references (p. [433]-435).
$14.00;C$19.50
First printing: July 1996
96 97 98 99 ❖ 10 9 8 7 6 5 4 3 2 1
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December 4, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
January 31, 2010 | Edited by WorkBot | add more information to works |
December 9, 2009 | Created by WorkBot | add works page |