Early 2000 on New York City's Upper East Side. The alienation of an unnamed young protagonist from others is nearly complete when she initiates her yearlong siesta, during which time she experiences limited personal interactions. Her parents have died; her relationships with her bulimic best friend Reva, an ex-boyfriend, and her drug-pushing psychiatrist are unwholesome. As her pill-popping intensifies, so does her isolation and determination to leave behind the world's travails. She is also beset by dangerous blackouts induced by a powerful medication. -- adapted from back cover

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.