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Spanish cinema: the auteurist tradition
1999, Oxford University Press
in English
0198184158 9780198184157
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Table of Contents
Prologue : The long march of the Spanish cinema towards itself / José Luis Borau
!Bienvenido Mr Marshall! (Berlanga, 1952) / Wendy Rolph
In search of a new Spanish realism : Bardem's Calle mayor (1956) / Stephen Roberts
Saura's Los golfos (1959; released 1962) : heralding a new cinema for the 1960s / Maria Delgado
Culture and acculturation in Manuel Summers's Del rosa...al amarillo (1963) / Susan Martin-Márquez
Fetishism and the problem of sexual difference in Buñuel's Tristana (1970) / Jo Labanyi
Between metaphysics and scientism : rehistoricizing Víctor Erice's El espíritu de la colmena (1973) / Paul Julian Smith
Furtivos (Borau, 1975) : my mother, my lover / Peter William Evans
Sex change and cultural transformation in Aranda and Abril's Cambio de sexo (1977) / Marsha Kinder
Feminism, politics, and psychosis in Fernán Gómez's Mi hija Hildegart (1977) / Dominic Keown
El corazón del bosque (Gutiérrez Aragón, 1979) : mist, myth, and history / John Hopewell
Female subjectivity in Gary Cooper que estás en los cielos (Miró, 1980) / Rikki Morgan
Re-imaging the community : Imanol Uribe's La muerte de Mikel (1983) and the cinema of transition / Marvin D'Lugo
Epílogo (Suárez, 1984) / Xon de Ros
?Qué he hecho yo para merecer esto? (Almodóvar, 1984) / Núria Triana-Toribio
La vida alegre (Colomo, 1986) / Robin Fiddian
Las cosas del querer (Chávarri, 1989) / Chris Perriam
Motherland : space, femininity, and Spanishness in Jamón jamón (Bigas Luna, 1992) / Celestino Deleyto
Promiscuity, pleasure, and girl power : Fernando Trueba's Belle époque (1992) / Barry Jordan
Julio Medem's Vacas (1991) : historicizing the forest / Isabel C. Santaolalla
The eroteticism of Nadie hablará de nosotras cuando hayamos muerto (Díaz Yanes, 1995) / Bernard P.E. Bentley.
Edition Notes
Includes bibliographic references and index.
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