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"Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini scholarship up to date, employing a range of recent critical approaches, including semiotic, psychoanalytical, feminist, and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homoeroticism, feminism, and constructions of gender."--BOOK JACKET.
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1
Federico Fellini: Contemporary Perspectives (Toronto Italian Studies)
June 8, 2002, University of Toronto Press
Paperback
in English
0802076475 9780802076472
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2
Federico Fellini: contemporary perspectives
2002, University of Toronto Press
in English
0802006965 9780802006967
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3
Federico Fellini: Contemporary Perspectives (Toronto Italian Studies)
June 8, 2002, University of Toronto Press
Hardcover
in English
0802006965 9780802006967
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Book Details
Table of Contents
Federico Fellini: realism/representation/signification / Frank Burke
Subtle wasted traces: Fellini and the circus / Helen Stoddart
Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson
When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti
Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller
'Toby dammit,' intertext, and the end of humanism / Christopher Sharrett
Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal
Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi
Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus
Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa
Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy.
Edition Notes
Includes filmography: p. [235]-236.
Includes bibliographical references (p. [233]-234).
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