Spirit capture
photographs from the National Museum of the American Indian
by Smithsonian Institution. Press
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Native Americans have been among the most popular subjects of photography since the invention of the medium more than 150 years ago. One of the most assiduous collectors of Native American objects and images was George Gustav Heye, whose vast collections now form the core of the holdings of the Smithsonian's National Museum of the American Indian (NMAI).
Spirit Capture brings together more than two hundred of the most compelling images from the NMAI collection with essays from Native and non-Native historians, anthropologists, and curators.
Whether depicting runaway Wyandot girls being returned to their boarding school, a Seminole woman sitting at a sewing machine, or a Yaqui man sporting a pair of bandoliers, the photographs in Spirit Capture attest to the adaptive strength of Native Americans in the face of more than a century of profound economic, political, social, and spiritual change.
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Subjects
Photography in ethnology, Indiens d'Amerique, National Museum of the American Indian (U.S.), Indians of North America, Indianen, Portretten, Indians, Indiens, Fotografie, National Museum of the American Indian, Photographie en ethnologie, Ouvrages illustres, Photographie ethnographique, Pictorial works, Indians of north america, pictorial works, Photography, exhibitionsPlaces
Amerique du NordShowing 2 featured editions. View all 2 editions?
| Edition | Availability |
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1
Spirit capture: photographs from the National Museum of the American Indian
1998, Smithsonian Institution Press in association with the National Museum of the American Indian, Smithsonian Institution
in English
1560989246 9781560989240
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2
Spirit capture: photographs from the National Museum of the American Indian
1998, Smithsonian Institution Press in association with the National Museum of the American Indian, Smithsonian Institution
in English
1560989246 9781560989240
|
aaaa
Libraries near you:
WorldCat
|
Book Details
Edition Notes
Includes bibliographical references (p. 193-195) and index.
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