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From American flag decals and replicas of the World Trade Center to an emotionally fueled advertising campaign for The New York times, the marketing and commodification of September 11 reveals the contradictory processes by which consumers in the U.S. (and around the world) communicate and construct national identity through cultural and symbolic goods. Contributed essays take critical stock of the role that consumer goods, media and press outlets, commercial advertising, marketers, and corporate public relations have played in shaping cultural memory of a national tragedy.
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Subjects
September 11 Terrorist Attacks, 2001, Patriotism, Social aspects, Popular culture, Influence, Consumer behavior, American National characteristics, Memory, Social conditions, Nationalbewusstsein, September 11 Terrorist Attacks (2001) fast (OCoLC)fst01112794, Conditions sociales, Mémoire, Aspect social, Consommateurs, Attentats du 11 septembre 2001, États-Unis, Culture populaire, Nord-Américains, Patriotisme, Influence (Literary, artistic, etc.), Aspect politique, Comportement, Kollektives Gedächtnis, Internationaler Terrorismus, Elfter September, Political aspects, Terrorism in literature, September 11 Terrorist Attacks, 2001, in mass media, Americans, Identity, Public opinionPlaces
United StatesTimes
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The selling of 9/11: how a national tragedy became a commodity
2005, Palgrave Macmillan
in English
- 1st ed.
1403968179 9781403968173
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Includes bibliographical references and index.
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