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Table of Contents
Introduction :
From frame to frame : images in transition -- Wendy Everett -- The
'family portrait', trauma and the punctum in Distant voices, still lives -- Phil Powrie -- The
dark side of Utopia : word, image, and memory in Georges Perec's Récits d'Ellis Island : histoires d'errance et d'espoir -- Peter Wagstaff
History, memory, and art in Louis Malle's Au revoir les enfants -- Christopher Shorley
Mapping Iceland or the identity of space : Cold fever -- Wendy Everett
Irish images : constructs of film space/time -- Gretchen Bisplinghoff
Mocking the Mafia : Ciprì and Maresco's Sicilian apocalypse -- Ernest Hampson
Too late? Recent developments in Romanian cinema -- Anne Jäckel
From 'reespañolear' to 'Europeizar' : the subversion of Francoist mythology in La flor de mi secreto (The flower of my secret) by Pedro Almodovar' -- María Camí-Vela
'Entering and leaving modernity' - utopia and dystopia in Mambety's Touki bouki and Hyènes -- Patrick Williams
Luc Besson's Cinquième élément (1997) and the spectacular : the city-body and the sci-fi movie -- Susan Hayward
Of 'broken wall, the burning roof and tower' : gyno-turning in Limit up and Svankmajer's Faust -- Lorna Fitzsimmons
Voyages and border crossings : Jane Campion's The piano (1993) -- Elisa Bussi
Pédés et polémiques : faggots and fireworks - Les nuits fauves and its moral(ity) -- Steve Wharton
'Life-taker heart-breaker' : mask-ulinity and/or femininity in Full metal jacket-- Raya Morag.
Edition Notes
Includes bibliographical references (p. [198]-203) and index.
The Physical Object
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February 7, 2019 | Created by MARC Bot | import existing book |