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Live performance is now one of the dominant art forms worldwide. In the United States and Europe, Japan, India, and Africa, an ever-increasing number of artists, including Robert Wilson, Marina Abramovic, Pina Bausch, Karen Finley, and Matthew Barney, in a variety of styles, are engaged in evocative, contemplative, and critical performance works. This is the most complete and profusely illustrated survey of performance from the 1960s to the present.
RoseLee Goldberg, the acknowledged authority on performance art and author of Abrams' 1979 Performance: Live Art 1909 to the Present, begins her discussion with the emergence of performance in the work of Yves Klein and Piero Manzoni and later in that of Meredith Monk and Laurie Anderson. She shows how performance explores and reveals the unexpected and the forbidden more than any other art form.
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Previews available in: English
Subjects
Modern Arts, Art, Performance art, Arts, Art de performance, Arts, Modern, Travail en équipe, Group work in art, Themes, motives, Art, themes, motives, etc., HistoryPlaces
motives ThemesTimes
20th centuryEdition | Availability |
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Performance: live art since 1960
1998, Harry N. Abrams Publishers
in English
0810943603 9780810943605
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Performance: live art 1909 to the present
1979, Thames and Hudson
in English
0500271313 9780500271315
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Book Details
Edition Notes
Includes bibliographical references (p. 229-231) and index.
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July 14, 2024 | Edited by MARC Bot | import existing book |
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