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Subjects
Counterpoint, Composition (Music), Music, History and criticismTimes
20th century, 21st centuryEdition | Availability |
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1 |
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Book Details
Table of Contents
A. Theory. -- The
character of polyphony: Carter's Concerto for orchestra -- Larson Powell ;
Theory of polyphony ;
Complex music: attempt at a definition ;
Theses concerning harmony today -- Claus-Steffen Mahnkopf ;
Notes toward a performance practice for complex music -- Frank Cox ;
New complexity and after: a personal note -- Richard Toop -- B. Composition.
On polyphony (comments) -- Mark André ;
malang mujur: entangled in knotted lines -- Bernd Asmus ;
Interconnectivity and abstraction: Metallic Dust as a testing ground for monophonic and structural polyphonies -- Aaron Cassidy ;
"Virtual" polyphony: Clairvoyance, for solo violin -- Frank Cox ;
Compexity and polyphony -- Chris Dench ;
Aspects of the Fold -- Gerald Eckert ;
Texture as formal determinant: Three works -- James Erber ;
From basic material to dramaturgy: les géorgiques -- Walter Feldmann ;
Regarding the event -- Mario Garuti ;
Towards the semantification of instrumental technique -- Wieland Hoban ;
Expanding string technique -- Klaus K. Hübler ;
Medusa: concerning conception, poetics, and technique -- Claus-Steffen Mahnkopf ; -- The
figure and its dramaturgy -- Simeon Pironkoff ;
Polyphony and shape: attempt at a concept of complex polyphony -- Wolfram Schurig ;
Vers une myopie musicale -- Steven Kazuo Takasugi ;
Hyper-polyphony: interactivity-open form -- Ian Willcock ;
In statu mutandi: a work-analysis -- René Wohlhauser.
Edition Notes
Includes bibliographical references.
"Published in collaboration with the bludenzer tage zeitgemässer musik."
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Feedback?March 10, 2019 | Created by MARC Bot | import existing book |