The Apocalypse and the shape of things to come

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Last edited by MARC Bot
July 15, 2024 | History

The Apocalypse and the shape of things to come

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"The Book of Revelation, with its vision of an apocalypse that is both destructive and redemptive, has provided a rich vein of imagery which remains a force in contemporary culture. This book examines the depiction of the Apocalypse in the visual arts over nearly 1,000 years. After the great medieval manuscript cycles, the pivotal point in the development of the pictorial tradition was Durer's famous set of woodcuts, published in 1498.

Apocalyptic imagery was quickly exploited for propaganda and satire by artists such as James Gillray, while Gillray's contemporary William Blake used it as part of a personal mythology that pervaded every aspect of his work."--BOOK JACKET.

Publish Date
Language
English
Pages
352

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Previews available in: English

Edition Availability
Cover of: The Apocalypse and the shape of things to come
The Apocalypse and the shape of things to come
1999, University of Toronto Press
in English

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Book Details


Edition Notes

Includes bibliographical references (p. 341-343) and index.
Simultaneously published in London by the British Museum Press.

Published in
Toronto, Buffalo

Classifications

Library of Congress
NX650.A6 A66 1999, N405 W5x no.27362

The Physical Object

Pagination
352 p. :
Number of pages
352

ID Numbers

Open Library
OL261022M
Internet Archive
apocalypseshapeo0000unse
ISBN 10
0802047769, 0802083250
LCCN
cn99931873
OCLC/WorldCat
42138161, 47929363
Library Thing
311343
Goodreads
1916114
258496

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History

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July 15, 2024 Edited by MARC Bot import existing book
August 18, 2020 Edited by ImportBot import existing book
July 27, 2020 Edited by MARC Bot import existing book
May 20, 2019 Edited by MARC Bot import existing book
March 27, 2019 Created by ImportBot import existing book