The Musician's Guide to Theory and Analysis

3rd ed.
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August 4, 2020 | History

The Musician's Guide to Theory and Analysis

3rd ed.
  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

Pathbreaking media prepares students for class and homework. The Third Edition features new Know It? Show It! online pedagogy for students to complete as they read each chapter. First, video tutorials illuminate key learning objectives and illustrate problems similar to those in the workbook. Then formative-assessment exercises powered by InQuizitive challenge students with questions--many featuring musical notation--until they demonstrate the skills they'll need to complete workbook assignments. Constructive feedback points struggling students back to the book and tutorials. Finally, workbook assignments can be completed either on paper or online. Real music engages students. The Musician's Guide to Theory and Analysis places music before theory. Every chapter begins with listening; theory flows from the music. The text and workbook offer a rich repertoire that students know and perform--including classical and popular music--for a range of instruments, and the text offers insights on how to apply theoretical concepts to performance. With this spiral-learning method, students revisit works as they progress through the book. Every time they encounter a composition, their understanding deepens. More accessible than ever. Streamlined, conversational prose offers an inviting introduction to music theory for all students, and chapters on form and twentieth-century music have been reorganized for a smoother pedagogical progression. In-text features such as Key Concepts and Summaries highlight the most important elements for students to retain, while self-grading Try It exercises scattered throughout each chapter offer students ample opportunity to practice as they learn. Flexible and integrated. The Musician's Guide to Theory and Analysis addresses every topic commonly taught in the undergraduate theory sequence -- from fundamentals to form to twentieth-century theory -- eliminating the need for costly additional texts and offering the option of complete coordination between aural skills and written theory. Students study related concepts simultaneously in both classes, so written and aural skills are mutually reinforcing. Instructors can mix and match print and online resources to suit the needs of their program, and The Musician's Guide texts can be customized for specialized classes, such as form and analysis or post-tonal theory. - Publisher.

Publish Date
Publisher
W. W. Norton & Co.
Language
English
Pages
1008

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Previews available in: English

Edition Availability
Cover of: Musician's Guide to Theory and Analysis
Musician's Guide to Theory and Analysis
2021, Norton & Company Limited, W. W.
in English
Cover of: The Musician's Guide to Theory and Analysis
The Musician's Guide to Theory and Analysis
Jul 01, 2021, W. W. Norton & Company
loose leaf
Cover of: The Musician's Guide to Theory and Analysis
The Musician's Guide to Theory and Analysis
Jun 01, 2021, W. W. Norton & Company
hardcover
Cover of: The Musician's Guide to Theory and Analysis
The Musician's Guide to Theory and Analysis
2016, W. W. Norton & Co.
Hardcover in English - 3rd ed.
Cover of: Musician's Guide to Theory and Analysis
Musician's Guide to Theory and Analysis
2016, Norton & Company, Incorporated, W. W.
in English

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Book Details


Table of Contents

To our students : Why study music theory?
Part one : Elements of music.
Pitch and Pitch Class
Simple Meters
Pitch Collections, Scales, and Major Keys
Compound Meters
Minor Keys and the Diatonic Modes
Intervals
Triads
Seventh Chords
Connecting Intervals in Note-to-Note Counterpoint
Melodic and Rhythmic Embellishment in Two-Voice Composition
Part two : Diatonic harmony and tonicization.
From Species to Chorale Style : Soprano and Bass Lines
The Basic Phrase in SATB Style
Dominant Sevenths, the Predominant Area, and Chorale Harmonization
Expanding the Basic Phrase
New Cadence Types and Diatonic Root Progressions
Embellishing Tones
Voice-Leading Chords: vii-6, vii-7, vii-7, and Others
Phrase Structure and Motivic Analysis
Diatonic Sequences
Secondary Dominant and Leading-Tone Chords to V
Tonicizing Scale Degrees Other Than V
Part three : Chromatic harmony and form.
Modulation to Closely Related Keys
Binary and Ternary Forms
Invention, Fugue, and Baroque Counterpoint
Variation
Modal Mixture
The Neapolitan Sixth and Augmented-Sixth Chords
Vocal Forms
Popular Music
Chromatic Harmony and Voice-Leading
Chromatic Modulation
Sonata, Sonatina, and Concerto
Rondo, Sonata-Rondo, and Large Ternary
Part four : The twentieth century and beyond.
Modes, Scales, and Sets
Rhythm, Meter, and Form in Music after 1900
Music Analysis with Sets
Sets and Set Classes
Ordered Segments and Serialism
Rhythm, Meter, and Form after 1945
Recent Trends
Appendixes.
Try it Answers
Glossary
The Overtone Series
Guidelines for Part-Writing
Ranges of Orchestral Instruments
Set-Class Table

Edition Notes

New purchased copies include an access card for 'Total Access' resources, including an interactive ebook, video tutorials, formative quizzes and an online workbook.

Published in
New York, London
Copyright Date
2016

Classifications

Library of Congress
MT6 .C57 2016, MT6.C57 2016

The Physical Object

Format
Hardcover
Pagination
xxxii, 869, A106 p.
Number of pages
1008
Dimensions
27 x x centimeters

ID Numbers

Open Library
OL26826722M
Internet Archive
musiciansguideto0000clen_h6k3
ISBN 10
0393263053
ISBN 13
9780393263053
LCCN
2015043308

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History

Download catalog record: RDF / JSON
August 4, 2020 Edited by ImportBot import existing book
April 2, 2019 Edited by Bryan Tyson Added new cover
April 2, 2019 Edited by Bryan Tyson Edited without comment.
April 2, 2019 Created by Bryan Tyson Added new book.