An edition of Thorie et analyses musicales : 1450-1650 = Music theory and analysis
(2001)
Théorie et analyse musicales
1450-1650 : Actes du collogue international Louvain-la-Neuve, 23-25 septembre 1999 = Music theory and analysis : Proceedings of the International Conference Louvain-la-Neuve, 23-25 September 1999
by Anne-Emmanuelle Ceulemans and Bonnie J. Blackburn
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Music theory, Early works to 1800, Musical analysisShowing 2 featured editions. View all 2 editions?
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1
Thorie et analyses musicales : 1450-1650 = Music theory and analysis: actes du colloque international, Louvain-la-Neuve, 23-25 septembre 1999 = proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999
2002, Dpartement d'histoire de l'art et d'archologie
in Multiple languages
293031401X 9782930314013
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2
Théorie et analyse musicales: 1450-1650 : Actes du collogue international Louvain-la-Neuve, 23-25 septembre 1999 = Music theory and analysis : Proceedings of the International Conference Louvain-la-Neuve, 23-25 September 1999
2001, Départment d'histoire de l'art et d'archéologie, Collège Érasme
in English
293031401X 9782930314013
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Libraries near you:
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Book Details
Table of Contents
The dispute about harmony c. 1500 and the creation of a new style / Bonnie J. Blackburn
Minor coloration revisited: Okeghem's Ma bouche rit and beyond / Ronald Woodley
On false concords in late fifteenth-century music: Yet another look at Tinctoris / Margaret Bent
La magie des cris trenchantz: comment le vray trésorier de musique échappe à la trappe du très terrible satrappe / Jaap Van Benthem
Ballata form in the early madrigal / Marco Mangani ; Michaela Zackova Rossi
Philomena praevia de Jean Richafort: la complexité du modèle au défi de l'analyse / Alice Tacaille
A newly recovered eight-mode motet cycle from the 1540s: Zarlino's Song of songs motets / Cristle Collins Judd
L'usage des dissonances dans la théorie du contrepoint de Juan Bermudo, Declaración de instrumentos musicales (1555) / Paloma Otaola
Rhetorical functions of harmony and counterpoint in the theory and practice of Nicola Vicentino / Timothy R. McKinney
Content and context: On public and private motet style in sixteenth-century Venice / Katelijne Schiltz
A propos du motet Philomena praevia de Claude Le Jeune (Melanges de 1585) / Pierre Bonniffet
Heinrich Schütz's Heu mihi, Domine: Traditional and progressive attributes in the F-mode repertory / Graham H. Phipps
Modes, clefs, and transpositions in the early seventeenth century / Rudolf Rasch.
Edition Notes
Includes bibliographical references and index.
English or French text.
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| December 30, 2022 | Edited by MARC Bot | import existing book |
| April 9, 2019 | Created by MARC Bot | import existing book |