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Sillman's works can be categorized as abstract painting, although her abstractions repeatedly allow forms and figures to be recognized. The title of the exhibition 'the ALL-OVER' refers to a concept often used to describe abstract painting. At its most literal, it refers to the practice of completely covering the canvas, a format that resists a traditional figure/ground hierarchy. The classic example of the style is embodied by the work of the American artist Jackson Pollock, though as the influential critic Clement Greenberg pointed out, the style in fact originated with the Ukrainian-American artist Janet Sobel. Sillman adapts this all-over idea, using it as the title for her exhibition, which does not feature drip paintings as such, but which updates the idea of total coverage of the canvas through mechanical means (via inkjet printing) used in combination with the gestural. Panorama, consisting of twenty-four canvases, was developed for Portikus and is here seen in its entirety for the first time. Exhibition: Portikus, Frankfurt am Main, Germany (02.07. - 11.09.2016).
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Amy Sillman: the all-over
2017, Dancing Foxes Press, Dancing Foxes Press/Portikus, Frankfurt
in English
0998632627 9780998632629
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Amy Sillman: suitors & strangers
2007, Blaffer Gallery, Art Museum of the University of Houston, Blaffer Gallery, The Art Museum of the University of Houston
in English
0941193381 9780941193382
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Book Details
Table of Contents
Edition Notes
Published in conjunction with an exhibition held at Portikus, Frankfurt, July 2-September 11, 2016, curated by Fabian Schöneich.
Includes bibliographical references and index.
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