An edition of Cutting rhythms (2012)

Cutting rhythms

intuitive film editing

Second edition.
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Cutting rhythms
Karen Pearlman
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Last edited by ImportBot
August 16, 2020 | History
An edition of Cutting rhythms (2012)

Cutting rhythms

intuitive film editing

Second edition.
  • 0 Ratings
  • 5 Want to read
  • 0 Currently reading
  • 0 Have read

This edition doesn't have a description yet. Can you add one?

Publish Date
Publisher
Routledge
Language
English
Pages
264

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Edition Availability
Cover of: Cutting rhythms
Cutting rhythms: intuitive film editing
2016, Routledge
in English - Second edition.
Cover of: Cutting Rhythms
Cutting Rhythms: Intuitive Film Editing
2015, Taylor & Francis Group
in English
Cover of: Cutting Rhythms
Cutting Rhythms: Intuitive Film Editing
2015, Taylor & Francis Group
in English
Cover of: Cutting Rhythms
Cutting Rhythms: Intuitive Film Editing
2015, Taylor & Francis Group
in English
Cover of: Cutting Rhythms
Cutting Rhythms: Intuitive Film Editing
2015, Taylor & Francis Group
in English
Cover of: Cutting Rhythms
Cutting Rhythms: Shaping the Film Edit
2012, Taylor & Francis Group
in English

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Book Details


Table of Contents

Preface to the second edition
Preface to the first edition
Rhythmic intuition. Intuitive thinking ; Movement and intuition ; Rhythm is made of movement ; Noticing movement as rhythm ; Feeling movement's rhythmic potential ; Empathy with movement : experience, body, and brain ; Being rhythm and thinking rhythmically ; Summary
Editing as choreography. Shifting the discussion from music to movement ; Pulse ; Movement phrases ; Why bother with phrasing? ; Phrasing considerations ; Summary
Timing, pacing, and trajectory phrasing. Timing ; Pacing ; Trajectory phrasing ; Summary
Tension, release, and synchronization. Tension and release ; Synchronization ; Case study in tension, release, and synchronization : Broadcast news ; Summary
Physical, emotional, and event rhythms. Three kinds of movement
Physical rhythm. Rechoreographing ; Physical storytelling ; Dancing edits ; Singing the rhythm ; Case study: "Now" scene from Thursday's fictions ; Summary
Emotional rhythm. Prepare, action, rest ; The actor's actions ; Beats ; Case study: The hours ; Summary
Event rhythm. First scenes ; Dramatic questions ; Structures as event patterns ; Energy, pace, and timing ; Creating structure and rhythm simultaneously ; Real events v. fictional events ; Reintegrating rhythms ; Case study: The godfather ; Case study: Goodfellas ; Summary
Style. Thematic montage ; Continuity cutting ; Points along the spectrum from thematic montage to continuity cutting ; Collision ; Linkage ; Points along the spectrum from collision to linkage ; Style case studies ; Contemporary style : after the new wave ; Summary
Devices. Parallel action ; Parallel action case studies ; Slow motion ; Slow motion case studies ; Fast motion ; Two quick fast motion case studies ; Mixed motions and speed ramping ; Summary
Collaboration and the Vulcan mind meld. The mind meld ; Decision making ; Responsive creativity ; Power and hierarchy
Editing thinking and onscreen drafting. Editing thinking ; What is an onscreen draft? ; Why draft? ; Rapid prototyping ; Embodied decision making ; Case study: Woman with an editing bench.

Edition Notes

Includes bibliographical references and index.

Classifications

Dewey Decimal Class
778.5/35
Library of Congress
TR899 .P42 2016, TR899.P42 2016

The Physical Object

Pagination
xv, 264 pages
Number of pages
264

ID Numbers

Open Library
OL26943815M
ISBN 10
1138946087, 1138856517
ISBN 13
9781138946088, 9781138856516
LCCN
2015016843
OCLC/WorldCat
910072955

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August 16, 2020 Edited by ImportBot import existing book
May 24, 2019 Created by MARC Bot import new book