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This monograph, designed by Joseph Logan in close collaboration with the artist, presents a selection of works from the early 1970s to today, demonstrating the artist's conceptual foundations. Welling's series are dialogues between image and matter, process and result, representation and abstraction. This volume includes, amongst other series, selections from 'Diary/Landscape,' in which Welling matched the writing of his ancestors' letters with Connecticut winter landscapes; 'Glass House' a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his 'Degrade s,' pure color photograms created in the darkroom as well as selections from his recent 'Wyeth' and 'Choreograph' track his early interest in painting and dance. The illustrations are accompanied by an extensive interview with the artist and critical essays that discuss Welling's work in connection with American painting, post-modernism, and authorship, and the artist's eloquently emotional photographic language. 0Exhibition: S.M.A.K., Ghent, Belgium (28.01. - 16.04.2017) / Kunstforum Wien, Vienna, Austria (05.05. - 16.07.2017).
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Subjects
Interviews, Artistic Photography, Exhibitions, Art, american, Fotografie, Experimentelle FotografiePeople
James WellingEdition | Availability |
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Catalog of an exhibition held at S.M.A.K., Ghent, January 28-April 16, 2017; Bank Austria Kunstforum Wien, May 5-July 16, 2017.
Includes a conversation with James Welling and Hal Foster.
Exhibition includes: Meridian ; Hexachromes ; Diary/Landscape ; Drapes ; Aluminum foil ; Watercolors ; Degradés ; Brown Polaroids ; Fluid dynamics ; Palettes ; Phyllo ; Wyeth ; Quaker circle ; Light sources ; Coat hanger sculptures ; Hands ; Sculpture 1970, Film 1971 ; Railroad photographs ; Seascape ; Glass house ; Sun pavilion ; Geometric abstractions ; Time in New England, regained ; Second tape ; Torsos ; Choreograph ; Chemical ; Oak tree ; Old lyme.
Parallel texts in English and German.
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