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Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values --both aesthetic and moral-- that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media --including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors --artists, curators, and historians of art, architecture, and film-- focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work.
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Subjects
Neon sculpture, Exhibitions, Neon lighting in art, Themes, motives, Criticism and interpretation, Video art, Abstract Sculpture, Process art, Installations (Art), Postmodernism, Male artists, Art, american, Artists' books, Art, modern, 20th century, exhibitionsPeople
Bruce Nauman (1941-)Places
United StatesTimes
20th century, 21st centuryEdition | Availability |
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Edition Notes
"Published in conjunction with the exhibition Bruce Nauman: Disappearing Acts, at the Schaulager Basel, March 17-August 26, 2018, and The Museum of Modern Art, New York, October 21, 2018-March 17, 2019 (MoMA) and October 21, 2018-March 24, 2019 (MoMA PS1)" --Page 353.
Includes bibliographical references (pages 325-335) and index.
Text in English, with some selections translated from the German.
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