An edition of In the fields of empty days (2018)

In the fields of empty days

the intersection of past and present in Iranian art

In the fields of empty days
Linda Komaroff, Linda Komaroff
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Last edited by MARC Bot
December 18, 2022 | History
An edition of In the fields of empty days (2018)

In the fields of empty days

the intersection of past and present in Iranian art

Filled with vibrant examples of painting, photography, sculpture, video, and other media, this book reveals how Iran's leading artists weave the country's past into the fabric of its contemporary art. The catalogue includes essays written by Linda Komaroff, curator of Islamic art and department head of Art of the Middle East at LACMA, and contributions from Sheila R. Canby, Sheida Dayani, Hamid Keshmirshekan, Hani Khafipour, Vali Mahlouji, Shabnam Rahimi-Golkhandan, Shadi Shafiei, and Sandra Williams. The book also explores how pre-Modern artists first began to manipulate time by visually shifting the past into the present as demonstrated by Persian miniature painting, in particular illustrated versions of the Shahnama, or Book of Kings, the Iranian national epic. Statements from prominent contemporary artists consider the creative means by which they evoke the past to address present-day social and political concerns. Designed to promote fluid movement between the historical and the modern, this wide-ranging book offers a unique and important exploration of a country with a rich and complicated heritage.

Publish Date
Publisher
Prestel
Language
English
Pages
207

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Book Details


Table of Contents

Time and again : the intersection of past and present Iranian art / Linda Komaroff
The theatrical roots of contemporary visual arts in Iran / Sheida Dayani
Ideology and photography in nineteenth-century Iran / Shabnam Rahimi-Golkhandan
The anachronistic role of Safavid manuscript illustrations / Sheila R. Canby
Heroism in contemporary Iranian art / Sandra Williams
The fantastical polaroids of Kaveh Golestan / Vali Mahlouji
Reflecting the past into the present versus constructive specificity in modern and contemporary art in Iran / Hamid Keshmirshekan
Tattoo culture of the Zurkhana / Shadi Shafiei
Siamak Filizadeh's Underground / Linda Komaroff
Echoes of the Safavid past / Hani Khafipour.

Edition Notes

Book is split in two sections, with second section's paging right to left.

"Published in conjunction with the exhibition 'In The Fields of Empty Days: The Intersection of Past and Present in Iranian Art' at the Los Angeles County Museum of Art, May 6-September 9, 2018"--Colophon.

Includes the poem "The Ending of the Shahnama" by Mehdi Akhavan-e Sales, translated by Sorour Soroudi, in both English translation and original Arabic script.

Includes bibliographical references (pages 81-83).

Text in English. Contains an Arabic script original version of the corresponding translated poem in English.

Other Titles
Fields empty days

Classifications

Dewey Decimal Class
700.959/0904
Library of Congress
N7280 .I5 2018, N72.H58I5 2018, N72.H58 I5 2018

The Physical Object

Pagination
207 pages
Number of pages
207

ID Numbers

Open Library
OL26974059M
ISBN 10
3791357387
ISBN 13
9783791357386
LCCN
2017048257
OCLC/WorldCat
1006521476

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History

Download catalog record: RDF / JSON
December 18, 2022 Edited by MARC Bot import existing book
November 2, 2021 Edited by ImportBot import existing book
May 31, 2019 Created by MARC Bot import new book