An edition of Native Americans on film (2013)

Native Americans on film

conversations, teaching, and theory

Native Americans on film
M. Elise Marubbio, Eric L. Buf ...
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Last edited by ImportBot
August 3, 2020 | History
An edition of Native Americans on film (2013)

Native Americans on film

conversations, teaching, and theory

"The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement."--Publisher's website.

Publish Date
Language
English
Pages
390

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Edition Availability
Cover of: Native Americans on film
Native Americans on film: conversations, teaching, and theory
2013, The University Press of Kentucky
in English

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Book Details


Table of Contents

Introduction: talking back, moving forward
Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood
Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja
Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier
Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton
Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster
Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin
Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson
"The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack
The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer
Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter
Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio
An upstream journey: an interview with Sandra Osawa / Saza Osawa
Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti
The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford.

Edition Notes

Includes bibliographical references, filmography and index.

Classifications

Dewey Decimal Class
791.43/652997
Library of Congress
PN1995.9.I48 N38 2013, PN1995.9.I48N38 2012

The Physical Object

Pagination
viii, 390 pages
Number of pages
390

ID Numbers

Open Library
OL27144598M
ISBN 10
0813136652
ISBN 13
9780813136653
LCCN
2012040562
OCLC/WorldCat
788282227

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August 3, 2020 Edited by ImportBot import existing book
July 18, 2019 Created by MARC Bot import new book