This major monograph traces the development of Phyllida Barlow's sculptural language from its beginnings in the 1960s to its current expression in several major recent projects including dock, the 2014 Duveen Commission for Tate Britain, and set, an exhibition of new work for The Fruitmarket Gallery in Edinburgh. With illustrations of over 100 works, many of them previously unpublished, it offers an indispensable resource on the practice of this important British sculptor, who continues to be lauded by artists and critics for her work, and for her influence on several generations of artists.