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"Selected Writings of César Vallejo has all the best writing of a major Spanish modernist"--
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Table of Contents
Book One: 1915-1919. From Romanticism in Castilian Poetry
From The Black Heralds. The Black Heralds
The Spider
The Poet to his Lover
Dregs
The Black Cup
Imperial Nostalgias I–IV
Ebony Leaves
Autochthonous Tercet
Huaco
Dead Idyll
Agape
The Voice in the Mirror
Our Bread
The Miserable Supper
The Eternal Dice
Distant Footsteps
To My Brother Miguel
Januneid
Epexegesis.
Articles and Chronicles. With Manuel González Prada
With José María Eguren
Abraham Valdelomar Has Died.
Letters. To Óscar Imaña, January 29, 1918
To Óscar Imaña, August 2 1918
To Manuel Natividad Vallejo, December 2, 1918
Dedication in a copy of The Black Heralds to friends in Trujillo, July 1919.
Book Two: 1920–1923. From Trilce. I. Who’s making all that racket
II. Time time
IV. Two carts grind our eardrums down
VI. The suite that tomorrow I wore
IX. I sdrive to dddeflect at a blow the blow
X. Primary and final stone of groundless
XIII. I think about your sex
XVII. This 2 distills in a single batch
XVIII. Oh the four walls of the cell
XX. Flush with the beaten froth bulwarked
XXIII. Estuous oven of those my sweet rolls
XXV. Chess bishops upthrust to stick
XXVIII. I’ve had lunch alone now
XXX. Burn of the second
XXXI. Hope between cotton bawls
XXXVI. We struggle to thread ourselves through a needle’s eye
XXXVIII. This crystal waits to be sipped
XLII. Wait, all of you. Now I’m going to tell you
XLIV. This piano journeys within
XLV. I lose contact with the sea
XLIX. Murmured in restlessness, I cross
L. Cerberus four times
LII. And we’ll get up when we feel
LV. Samain would say
LVI. Everyday I wake blindly
LVII. The highest points craterized
LVIII. In the cell, in what’s solid
LXI. Tonight I get down from my horse
LXIII. Dawn cracks raining
LXV. Mother, tomorrow I am going to Santiago
LXVIII. We’re at the Fourteenth of July
LXX. Everyone smiles at the nonchalance
LXXI. Coils the sun does in your cool hand
LXXIII. Another ay has triumphed
LXXV. You’re all dead
LXXVII. It hails so hard, as if to remind me.
From Scales. Northwestern Wall
Antarctic Wall
East Wall
Doublewide Wall
Window Sill
Beyond Life and Death
Liberation
Wax.
From Savage Lore. Chapter 1
Chapter 2
Chapter 3.
Letters. To La Reforma, August 12, 1920
To Óscar Imaña, October 26, 1920
To Gastón Roger, December 1920
To Óscar Imaña, February 12, 1921
To Antenor Orrego, 1922
To Óscar Imaña, July 1, 1922
To Manuel Natividad Vallejo, June 16, 1923
To Dr. Carlos C. Godoy, June 16, 1923
To Víctor Clemente Vallejo, July 14, 1923
To Carlos Raygada, September 15, 1923.
Articles and Chronicles. The Blue Bird
La Rotonde
Cooperation.
Book Three: 1924–1928. Articles and Chronicles. Spain at the International Exhibit in Paris
Modern Man
Between France and Spain
The Need to Die
The History of America
The Assassin of Barrés
The Poet and the Politician
State of Spanish Literature
Da Vinci’s Baptist
In Defense of Life
A Great Scientific Discovery
Latest Scientific Discoveries
The Idols of Contemporary Life
Avant-garde Religions
Against Professional Secrets
The New Disciplines
Life as a Match
Artists Facing Politics
Contribution to Film Studies
Madness in Art
The Passion of Charles Chaplin
Invitation to Clarity
Proletarian Literature
Colonial Societies
Psychology of the Diamond Specialists
Literature Behind Closed Doors
Vanguard and Rearguard
Anniversary of Baudelaire
The Masters of Cubism
Tolstoy and the New Russia.
From Art and Revolution.
Revolutionary Function of Thought
The Work of Art and the Social Sphere
Aesthetic and Machinism
Universality of Verse for the Unity of Languages
Poetry and Imposture
Grammatical Rule
My Self-Portrait in the Light of Historical Materialism
Tell me How you Write and I’ll tell you What you Write
Autopsy of Surrealism
New Poetry
The Image and its Syrtes
The Mayakovsky Case
Regarding Artistic Freedom.
From Against Professional Secrets. From Feuerbach to Marx
Explanation of History
The Death of Death
The Motion Inherent in Matter
Individual and Society
Negations of Negations
Reputation Theory
Noise of a Great Criminal’s Footsteps
Conflict between the Eyes and the Gaze
Languidly His Liqueur
Vocation of Death.
From Toward the Reign of the Sciris. 1. The Other Imperialism
2. The Seer
3. The Peace of Túpac Yupanqui
4. An Accident on the Job
5. Byzantium, West Longitude.
From Moscow vs. Moscow. The Final Judgment
Death.
From The River Flows between Two Shores. Act I, Scene 1
Act I, Scene II
Act I, Scene III.
Letters. To Pablo Abril de Vivero, May 14, 1924
To Pablo Abril de Vivero, May 26, 1924
To Alcides Spelucín, July 1924
To Pablo Abril de Vivero, October 19, 1924
To Pablo Abril de Vivero, November 5, 1924
To Juan Larrea, March 12, 1926
To Ricardo Vegas García, May 15, 1926
To Juan Larrea, July 26, 1926
To Alcides Spelucín, September 14, 1926
To José Carlos Mariátegui, December 10, 1926
To Emilio Armaza, December 10, 1926
To Pablo Abril de Vivero, July 24, 1927
To Luis Alberto Sánchez, August 18, 1927
To Pablo Abril de Vivero, September 12, 1927
To Pablo Abril de Vivero, October 19, 1927
To Rafael Méndez Dorich, February 17, 1928
To Pablo Abril de Vivero, March 17, 1928
To Pablo Abril de Vivero, April 26, 1928
To Pablo Abril de Vivero, October 19, 1928
To Pablo Abril de Vivero, December 27, 1928.
Notebooks. Entries from 1926-1928.
Edition Notes
Includes bibliographical references (pages 567-595) and index.
Translated from the Spanish.
Classifications
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