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In 2009, musician Franz Nicolay left his job and over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the post-Communist world.
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Previews available in: English
Edition | Availability |
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1
The humorless ladies of border control: touring the punk underground from Belgrade to Ulaanbaatar
2016, The New Press
in English
1620971798 9781620971796
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WorldCat
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2
Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar
2016, New Press, The
in English
1620971801 9781620971802
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Libraries near you:
WorldCat
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Book Details
Table of Contents
The humorless ladies of border control (Ukraine)
Party for everybody (Rostov-on-Don to Saint Petersburg)
A real Lenin of our time (Moscow)
God-forget-it house (Trans-Siberian)
The knout and the pierogi (Tomsk to Baikal)
The hall of sufficient looking (Trans-Mongolian)
Drunk nihilists make a good audience (Croatia, Slovenia, Serbia)
A fur coat with morsels (Hungary, Poland)
Poor, but they have style (Romania)
You are an asshole big time (Bulgaria)
Don't bring your beer in church (Bucharest to Vienna)
Changing the country, we apologize for the inconvenience (Ukraine after the flood).
Edition Notes
"Playlist": page 368; "Itinerary": pages 369-371.
Includes bibliographical references (pages 361-367).
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Feedback?December 19, 2022 | Edited by MARC Bot | import existing book |
August 30, 2020 | Edited by ImportBot | import existing book |
July 19, 2019 | Created by MARC Bot | import new book |