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Focuses on the political and social role of music in Vienna, broadening our understanding of the city as a musical capital.
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20th century, 19th century, 18th centuryShowing 1 featured edition. View all 1 editions?
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Table of Contents
Telling tales of music in Vienna
1700. Music at the imperial and royal court. Angelica, vincitrice di Alcina: an opera for the Habsburgs ; Three emperors : Leopold I, Joseph I and Karl VI ; Music in a fortress city ; Music and Habsburg identity
Catholicism, ritual, and ceremony. The regulation of the liturgy ; Leopold I and pietas austriaca ; Johann Joseph Fux : composer and theorist
Italian opera and the preservation of the Habsburg dynasty. Opera, representation and identity ; A coronation in Prague (1723) : political unity and musical conservatism
1800. Court, aristocrats, and connoisseurs. Mozart's coronation opera, Haydn's Te Deum ; Music and the Habsburg dynasty, music and the Habsburg family ; The aristocracy as leaders of private and public taste in music ; Prince Nicolaus Esterházy and Prince Joseph Lobkowitz ; Women play and sing their part : a forgotten history
Demand, aspiration, and the ennobling of the spirit. Music in the market place ; Behind closed doors : piano, song and string quartet ; Music in Vienna in 1808 : the view of a patriot
Music, war, and peace. In tempore belli ; 1792-1799 The First Coalition to the Peace of Campo Formio ; 1799-1805 The Second Coalition to the Treaty of Lunéville ; 1805-1809 The Third Coalition to the Peace of Pressburg ; 1809-1813 The siege of Vienna to the Treaty of Schönbrunn ; 1813-1815 The Fourth Coalition to the Congress of Vienna ; A glorious moment, a new future, the Gesellschaft der Musikfreunde
1900. Vienna, city of music. Documenting the musical world ; Institutions and venues in the First District ; Beyond the Ringstrasse
'Seid umschlungen, Millionen.' Otto Nicolai concert, 18 February 1900 ; Beethoven and Wagner, Mozart and Haydn ; Memorialization and monumentalism ; Johann Strauss dedicates a waltz to Brahms
From Johann Strauss to Richard Strauss. The Waltz King turns to operetta ; Old Vienna, new Vienna ; Richard Strauss and the future operatic ideal.
Edition Notes
Includes bibliographical references (pages 247-260) and index.
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