"William Eggleston, American Color" is one of the biggest exhibitions ever done on the photographer and will bring to Brazil for the first time an extensive selection of works from 1960's and 1970's, considered to be Egglestonœs golden years. One of the rooms will feature many of the photos included in the legendary 1976 exhibition at MoMA. Two other rooms will present the famous portfolio Los Alamos, which resulted from a series of road trips around the Mississippi Delta and all the way to California from 1965 to 1974. The photos on display will include over 150 rare and delicate photographs made through dye-transfer, a near-extinct printing technique, which became the artistœs trademark for allowing him a precise control of color and intense saturation. To those who are already familiar with Egglestonœs work, the exhibition will also feature lesser-known, but still important works from the period. Among them, the formidable set of portraits made on bars and streets with a large format camera in 1974 and known as 5x7, in reference to the size of the film used. A set of five black and white photos, made before Eggleston embraced color definitively, will also be on display. The experimental film Stranded in Canton, shot in black and white in 1973 and 1974, with improvisations, performances and intimate footage of family members and friends in the bars of New Orleans will also be on view.