An edition of Creating sounds from scratch
(2017)
Creating sounds from scratch
a practical guide to music synthesis for producers and composers
by Andrea Pejrolo
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Subjects
Software synthesizers, Composition (Music), Acoustics and physics, Instruction and study, Computer composition (Music), Synthesizer (Musical instrument), Music, Electronic composition, Electronic music, Instrumental music, instruction and study, Synthesizer (musical instrument)Times
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1
Creating Sounds from Scratch: A Practical Guide to Music Synthesis for Producers and Composers
2017, Oxford University Press, Incorporated
in English
0199921903 9780199921904
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2
Creating sounds from scratch: a practical guide to music synthesis for producers and composers
2017, Oxford University Press
in English
0199921873 9780199921874
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Libraries near you:
WorldCat
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Book Details
Table of Contents
How did we get here? Introduction ; Electronic music in the twentieth century ; Instruments ; The rise of the modern synthesizer ; The road to polyphony ; Musical Instrument Digital Interface ; Digitally controlled oscillator ; Digital sampling ; Wavetable synthesis ; Korg M1 workstation ; Conclusion
Understanding sound and hearing. Introduction ; What is sound? ; Amplitude ; Human hearing ; Missing fundamental ; Conclusion
The tools of the trade. Introduction ; Sound generators ; Sound modifiers ; Instruments ; The MIDI standard ; The electronic digital studio for the contemporary composer and producer
Subtractive synthesis. Introduction ; Sculpting sound with subtractive synthesis ; Sound design 4.1 : Synth clarinet ; Sound design 4.2 : 1980s classic synth strings ; Sound design 4.3 : Synth snare ; The producer point of view on subtractive synthesis ; Exercises
Frequency modulation synthesis. Introduction ; How FM works ; Algorithms ; Operators ; Operators and the harmonic series ; Principles of FM sound design ; Sound design 5.1 : Constructing sawtooth wave in FM8 ; Sound design 5.2 : Square wave ; Sound design 5.3 : Reed pipe organ/Oboe timbre using FM8 ; Modulation index ; Amplitude of sidebands ; Multiple carriers ; Noise, distortion, and feedback! ; The producer's point of view on FM synthesizers ; Exercises
Additive synthesis. Introduction ; Instruments ; Resynthesis in additive synthesis ; Manipulating resynthesized sounds ; Spectral synthesis ; Iris : is it sampling? Subtractive synthesis? Spectral synthesis? Yes ; The producer point of view on additive synthesis ; Exercises
Sample-based synthesis. Introduction ; Principles of sample-based synthesis ; Techniques for custom sample sets ; Being creative ; Sound design 7.1 : Sampled piano manipulation ; Digital audio : What the heck is sample rate and what are bits? ; Digital audio in practice ; File sizes ; The producer point of view on sampling ; Exercises
Physical modeling. Introduction ; Analog modeling ; Physical modeling in hardware ; Physical modeling in software ; Platypus of sound? ; Logic's Sculpture as a case study ; The producer point of view ; Exercises
Wavetable synthesis and granular synthesis. Introduction ; Wavetable synthesis ; Granular synthesis ; The producer point of view on wavetable synthesis and granular synthesis ; Exercises.
Edition Notes
"About the companion website": page xix.
Companion website features video tutorials and audio examples.
Includes bibliographical references and index.
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| August 5, 2020 | Edited by ImportBot | import existing book |
| July 19, 2019 | Created by MARC Bot | import new book |