An edition of The Cutting Room (2004)

The cutting room

1st ed.
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Last edited by ImportBot
October 8, 2021 | History
An edition of The Cutting Room (2004)

The cutting room

1st ed.
  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

Like the hero in a classic Hitchcock thriller, the innocent movie buff at the center of this witty and suspenseful novel finds his ordinary life suddenly transformed when he's plunged into a harrowing game of intrigue, duplicity, and danger. Spurred into a frantic race from New York to Hollywood to Barcelona and back, he'll encounter enough hairpin twists, shocking surprises, white-knuckle tension, and sinister characters to give even the master of suspense himself a serious case of vertigo. But in this scenario, the mayhem and murder are all too real. Self-proclaimed movie geek and divorced thirtysomething Roy Milano lives alone in a cramped Manhattan apartment, toiling as a freelancer to make ends meet. It's a life perfectly suited to the creator of Trivial Man, Roy's self-published newsletter--filled with tidbits of little-known Tinseltown lore for the delight of other fringe-dwelling cinemaphiles. And it's a tantalizing phone call from one such kindred spirit that thrusts Roy headlong into his waking noir nightmare."I've got The Magnificent Ambersons," declares Alan Gilbert, host of a homemade cable-TV show about the silver screen, who now claims to possess the rarest of the rare: the long-lost and never-released complete print of Orson Welles's classic follow-up to Citizen Kane. But when Roy arrives at his fellow movie maven's abode to sneak a peek at celluloid history, the front door is ominously open, Alan Gilbert is dead, and The Magnificent Ambersons is nowhere in sight. Even though the cops arrest a local drug addict for the murder, Roy knows they're wrong--because the theft of the movie masterpiece points to a different kind of junkie. The kind Roy knows only too well . . . and the kind he's certain only he can catch.But Roy Milano is no Sam Spade, even if he does run into more gun-toting goons, sucker punches, and double-crosses than Bogey on a busy day. And the suspects prove to be anything but usual--including a bodybuilding film fanatic obsessed with bizarre rumors about an A-list actress, a rotund reporter who holds Hollywood in thrall via red-hot Internet dispatches from his parents' basement, and a starstruck street punk with a thousand voices. And then there's the transatlantic love triangle that finds Roy caught between his very own eager Gal Friday and a sultry Spanish siren with a stunning secret. But when the bodies start to fall faster than a box-office bomb, Roy must cut to the chase in his perilous quest to save the Holy Grail of cinema--and unmask a killer--before everything fades to black.From the Hardcover edition.

Publish Date
Publisher
Ballantine Books
Language
English
Pages
274

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Previews available in: English

Edition Availability
Cover of: The Cutting Room
The Cutting Room: A Novel of Suspense
January 25, 2005, Ballantine Books
Mass Market Paperback in English
Cover of: The cutting room
The cutting room
2004, Ballantine Books
in English - 1st ed.
Cover of: The Cutting Room
The Cutting Room
2004, Random House Publishing Group
Electronic resource in English

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Book Details


Published in

New York

Edition Notes

Genre
Fiction.

Classifications

Dewey Decimal Class
813/.54
Library of Congress
PS3561.L3343 C88 2004

The Physical Object

Pagination
viii, 274 p. ;
Number of pages
274

ID Numbers

Open Library
OL3327298M
Internet Archive
cuttingroom00klav_0
ISBN 10
0345462742
LCCN
2004301535
OCLC/WorldCat
54112938
Library Thing
318954
Goodreads
1766279

Excerpts

FLASHBACKS WERE INVENTED IN THE SILENT-MOVIE era, probably by D. W. Griffith.
added anonymously.

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October 8, 2021 Edited by ImportBot import existing book
August 28, 2020 Edited by ImportBot import existing book
August 19, 2020 Edited by ImportBot import existing book
July 22, 2019 Edited by MARC Bot remove fake subjects
December 9, 2009 Created by WorkBot add works page