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"Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality."--Provided by publisher.
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Masculinity and Italian cinema: sexual politics, social conflict and male crisis in the 1970s
2014, Edinburgh University Press
in English
0748654542 9780748654543
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Book Details
Table of Contents
Introduction
Male crisis: between apocalypse and nostalgia
Contesting national memory: male dilemmas and Oedipal scenarios
Undoing genre, undoing masculinity
Pier Paolo Pasolini's erotic imagery and the significance of the male body
Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo.
Edition Notes
Includes bibliographical references (pages 144-158) and index.
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August 3, 2020 | Edited by ImportBot | import existing book |
May 3, 2020 | Created by MARC Bot | import new book |