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"Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Works by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences"--
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Subjects
Motion pictures, History and criticism, Production and direction, Aesthetics, Imagination in motion pictures, Memory in motion pictures, PERFORMING ARTS / Film & Video / Direction & Production, PERFORMING ARTS / Film & Video / History & Criticism, SOCIAL SCIENCE / Media Studies, Film criticismShowing 3 featured editions. View all 3 editions?
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1
Memory and Imagination in Film: Scorsese, Lynch, Jarmusch, Van Sant
Jan 01, 2014, Palgrave Macmillan
paperback
1349317438 9781349317431
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2
Memory and Imagination in Film: Scorsese, Lynch, Jarmusch, Van Sant
Sep 24, 2014, Palgrave Macmillan
hardcover
0230241719 9780230241718
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3
Memory and Imagination in Film: Scorsese, Lynch, Jarmusch, Van Sant
2014, Palgrave Macmillan
in English
1137319437 9781137319432
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Book Details
Edition Notes
Source title: Memory and Imagination in Film: Scorsese, Lynch, Jarmusch, Van Sant (Language, Discourse, Society)
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