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"Christian Cay Lorenz Hirschfeld was perhaps the most important writer on gardens and landscape in eighteenth-century Germany. Acclaimed as the "father of landscape garden art," his writings were influential not just in Germany but also in France, Hungary, Italy, the Netherlands, Scandinavia, and Russia. Popular with both experts and amateurs, Hirschfeld had a significant effect on the development of European garden design, as well as on the establishment of public parks of his era.
His celebration of the natural world sprang from his intellectual roots in Enlightened rationalism, but rather than following the systematic scientific strategy of his forerunners, Hirschfeld formulated a more popular approach that appealed to both the emotions and the reason of his audience.
His five-volume Theory of Garden Art, published simultaneously in German and French between 1779 and 1785, is by far the most comprehensive of his works, and well-informed gardeners of the time consider it indispensable.".
"Although Hirschfeld's significance has increasingly been recognized in contemporary landscape scholarship, his works have not yet appeared in English. In this one-volume abridged edition Linda Parshall translates the essential aspects of the Theory of Garden Art, Hirschfeld's seminal work. This book will be a useful and authoritative contribution to both the history of landscape architecture and German cultural history."--BOOK JACKET.
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Previews available in: English
Subjects
Landscape gardening, Philosophy, Gardens, Architecture, LandscapeShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Theory of Garden Art (Penn Studies in Landscape Architecture)
March 2001, University of Pennsylvania Press
Hardcover
in English
0812235843 9780812235845
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Book Details
First Sentence
"Friends of the art of gardening, receive here the beginning of a study announced some time ago, one I inaugurated with two shorter publications (Anmerkungen uber die Landhauser und die Gartenkust, Leipzig, 1773; and Theorie der Gartenkust, Leipzig, 1775)."
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