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Edition | Availability |
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1
Postmodern plagiarisms: cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010)
2015, De Gruyter Mouton
in English
3110378957 9783110378955
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2
Postmodern Plagiarisms: Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature
2015, De Gruyter, Inc.
in English
3110379112 9783110379112
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Book Details
Table of Contents
Introducing plagiarism beyond illegitimate plunder
Framing plagiarism as a postmodern negotiation of authorship and text sovereignty
Authorship and its nemeses: plagiarism as unoriginal practice
The commodification of literature and the economic value of authorial attribution
The extra-aesthetic notion of plagiarism: the case of literary theft
Under siege: challenging textual integrity and individual authorship
Writing beyond petty theft: critifiction, context, and neo-conceptual writing
Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism
Disowning meaning and male authority: feminist plagiarist context
Neo-conceptual uncreative writing of the twenty-first century
Plagiarism as writing practice in US postmodern literature
Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991)
Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988)
Neo-conceptual appropriative writing
Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003)
Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010)
Appropriate and erase: Yedda Morrison's Darkness (chapter 1)
Conclusion: the present and future of strategic appropriation in the arts.
Edition Notes
Includes bibliographical references (pages 248-282) and index.
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