The concept of shifting, fragmenting, and binding, which stems from Marx's theory of commodity fetishism and which has been used in cultural studies to describe various forms of institutional oppression, is particularly useful in understanding the ways that studios positioned actors as social subjects during Hollywood's Golden Era.
An edition of Stars, the Film Reader
(2004)
Stars, the Film Reader (In Focus--Routledge Film Readers)
by Lucy Fischer
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June 15, 2012 | History
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1
Stars, the Film Reader (In Focus--Routledge Film Readers)
March 26, 2004, Routledge
in English
0415278929 9780415278928
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2
Stars, the Film Reader (In Focus--Routledge Film Readers)
March 26, 2004, Routledge
in English
0415278937 9780415278935
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3
STARS: THE FILM READER; ED. BY LUCY FISCHER.
Publish date unknown, ROUTLEDGE
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0415278937 9780415278935
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"The concept of shifting, fragmenting, and binding, which stems from Marx's theory of commodity fetishism and which has been used in cultural studies to describe various forms of institutional oppression, is particularly useful in understanding the ways that studios positioned actors as social subjects during Hollywood's Golden Era."
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| June 15, 2012 | Edited by AMillarBot | remove edition notes from title (In Focus--Routledge Film Readers) |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
| February 4, 2010 | Edited by WorkBot | add more information to works |
| December 9, 2009 | Created by WorkBot | add works page |