Check nearby libraries
Buy this book
![Loading indicator](/images/ajax-loader-bar.gif)
Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigénie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragédie en musique' of the seventeenth and eighteenth centuries.
Check nearby libraries
Buy this book
![Loading indicator](/images/ajax-loader-bar.gif)
Places
FranceTimes
17th century, 18th centuryShowing 1 featured edition. View all 1 editions?
Edition | Availability |
---|---|
1
(Dis)embodying myths in Ancien Régime opera: multidisciplinary perspectives
2012, Leuven University Press
in English
9058679004 9789058679000
|
aaaa
Libraries near you:
WorldCat
|
Book Details
Table of Contents
Lo scherno degli dei : myth and derision in the dramma per musica of the seventeenth century / Jean-François Lattarico
Helpings from the great banquets of epic : Handel's Teseo, and Arianna in Creta / Robert C. Ketterer
Envoicing the divine : oracles in lyric and spoken drama in seventeenth-century France / Geoffrey Burgess
Addressing the divine : the 'numinous' accompagnato in opera seria / Bruno Forment
Iphigenia's curious Ménange à trois in myth, drama, and opera / Reinhard Strohm
Spectatorship and involvement in Gluck's Iphigénie en Tauride / Bram van Oostveldt.
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
ID Numbers
Community Reviews (0)
Feedback?September 17, 2021 | Edited by ImportBot | import existing book |
October 28, 2020 | Created by MARC Bot | import new book |