An edition of Verse, voice, and vision (2013)

Verse, voice, and vision

poetry and the cinema

Verse, voice, and vision
Marlisa Santos, Marlisa Santos
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Last edited by MARC Bot
September 29, 2024 | History
An edition of Verse, voice, and vision (2013)

Verse, voice, and vision

poetry and the cinema

"In Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos has compiled essays that explore the relationship between one of the world's oldest art forms--poetry--and one of the world's newest art forms--film. The book is divided into three sections: poets on film, poetry as film, and film as poetry. Topics include analyses of poet biopics (such as Mrs. Parker and the Vicious Circle), filmic representations of poets or poetic studies (including Pyaasa), films inspired by particular poems (such as Splendor in the Grass), and the avant-garde phenomenon of the "poem-film" (such as The Tree of Life). Poetic influences considered in this volume range from William Shakespeare to e.e. cummings, and the films discussed hail from several different countries, including the U.S., the U.K., India, China, Italy, and Argentina."--Publisher website.

Publish Date
Language
English
Pages
200

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Edition Availability
Cover of: Verse, voice, and vision
Verse, voice, and vision: poetry and the cinema
2013, Scarecrow Press, Inc., The Scarecrow Press, Inc.
in English

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Book Details


Table of Contents

Introduction
Poets on film. "Besides, there's no such thing as poets anymore": poetic relevance in Neil LaBute's Possession / by Susan Redington Bobby
Rudolph's Mrs. Parker and the vicious circle: film form and Parker's poetic legacy / by Carolyn Kelley
"A thing of beauty": art, commerce, and poetry in cinema in Bright star and Love and death on Long Island / by Ellen Moll
This aura sucks: narrative cinema and popular poetry criticism in So I married an axe murderer / by Liz Faber
Star/poet/director: poetry and image in Guru Dutt's Pyaasa / by Carrie Messenger
Chicken poets and rough poetry: figuring the poet and his subject(s) in independent Chinese cinema / by Qi Wang
Poetry as film. "Some are born to endless night": the Blakean vision of Jim Jarmusch's Dead man / by Hugh Davis
Into the woods: William Shakespeare's A midsummer night's dream and Peter Weir's Dead poets society / by Nichole DeWall
"Whither is fled the visionary gleam?": Wordsworth and consumption in Splendor in the grass / by Marlisa Santos
Film as poetry. "Qualcosa di concreto": mimetic fiction and spectrality in Pier Paolo Pasolini's Cinema of poetry / by Roberto Cavallini
Terrence Malick's intimations of immortality: The tree of life as cinematic ode / by Suzanne Ferriss
A step away from the cinema: Hollywood and the poetry of Frank O'Hara / by Walter Metz
Poetic dialogue-lyrical speech in the work of Hal Hartley and Jim Jarmusch / by Jennifer O'Meara
The written verse in cinematic verse: Eliseo Subiela's El lado oscuro del corazón as a metapoetic text / by Juan G. Ramos.

Edition Notes

Includes bibliographical references and index.

Published in
Lanham

Classifications

Dewey Decimal Class
791.43/657
Library of Congress
PN1995.3 .V48 2013, PN1995.3.V48 2013

The Physical Object

Pagination
xiii, 200 pages
Number of pages
200

ID Numbers

Open Library
OL31144342M
ISBN 13
9780810892095, 9780810892101
LCCN
2013018679
OCLC/WorldCat
845515934

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September 29, 2024 Edited by MARC Bot import existing book
November 14, 2020 Created by MARC Bot import new book