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Chosen to represent the United States at the 46th Venice Biennale, artist Bill Viola is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, interviews, drawings and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art.
Each work illustrated is accompanied by a description by the artist as well as comments on the work's origins from the artist's notebooks.
For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomenon of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism.
One of Viola's chief concerns today is to focus on the connection between our inner and outer lives, on the conception of the self as part of the whole.
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Previews available in: English
Subjects
Philosophy, Themes, motives, History of art & design styles: from c 1900 -, Individual artists, Video photography, c 1970 to c 1980, c 1980 to c 1990, c 1990 to c 2000, Art, Viola, bill, 1951-, Philosophie, Thèmes, motifs, Videokunst, Geluidskunst, ARTISTAS (BIOGRAFIAS), Philosophyviola, bill , 1951-, Themes, motivesviola, bill , 1951-, N6537.v56 a35 1995, 700/.92, Criticism and interpretationPeople
Bill Viola (1951-)Showing 3 featured editions. View all 3 editions?
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1
Reasons for knocking at an empty house: writings 1973-1994
1995, MIT Press, Anthony d'Offay Gallery
in English
0262720256 9780262720250
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2
Bill Viola (Painters & Sculptors)
December 1995, Thames & Hudson Ltd
Paperback
0500278377 9780500278376
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3
Reasons for knocking at an empty house: writings 1973-1994
1995, Thames and Hudson
in English
0500278377 9780500278376
|
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Libraries near you:
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Book Details
Edition Notes
Includes bibliographical references (p. 293-296) and index.
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