THE PURPOSE OF THIS WORK is to explore African American theatre as it existed from 1895 to 1910, with an emphasis on its resistance to racism, the emergence of parody, and the use of what W. E. B. Du Bois called "double consciousness" (1903:215).
An edition of Resistance, Parody and Double Consciousness in African American Theatre, 1895-1919 (1998 Errol Hill Award Winner)
(1998)
Resistance, Parody and Double Consciousness in African American Theatre, 1895-1919 (1998 Errol Hill Award Winner)
by David Krasner
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Resistance, Parody and Double Consciousness in African American Theatre, 1895-1919 (1998 Errol Hill Award Winner)
November 15, 1998, Palgrave Macmillan
Paperback
in English
0312219253 9780312219253
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"THE PURPOSE OF THIS WORK is to explore African American theatre as it existed from 1895 to 1910, with an emphasis on its resistance to racism, the emergence of parody, and the use of what W. E. B. Du Bois called "double consciousness" (1903:215)."
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