It was not long ago that London's musical public was swept into a controversy triggered off by Adolf Aber's strong words that graced the first page of The Musical Times of June 1948: the recent [Adolf] Busch concerts at Kingsway Hall stood out as high-lights of the concert season . . . the chief factor, it cannot be doubted, was the conviction that the music of Bach and Handel was being performed in the only right and proper way . . . many in the audience heard for the first time in their lives how these works ought to sound.
An edition of Performing Beethoven (Cambridge Studies in Performance Practice)
(2005)
Performing Beethoven (Cambridge Studies in Performance Practice)
by Robin Stowell
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Performing Beethoven (Cambridge Studies in Performance Practice)
November 17, 2005, Cambridge University Press
Paperback
in English
0521023742 9780521023740
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"It was not long ago that London's musical public was swept into a controversy triggered off by Adolf Aber's strong words that graced the first page of The Musical Times of June 1948: the recent [Adolf] Busch concerts at Kingsway Hall stood out as high-lights of the concert season . . . the chief factor, it cannot be doubted, was the conviction that the music of Bach and Handel was being performed in the only right and proper way . . . many in the audience heard for the first time in their lives how these works ought to sound."
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| December 14, 2020 | Edited by MARC Bot | import existing book |
| August 1, 2020 | Edited by ImportBot | import existing book |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
| February 5, 2010 | Edited by WorkBot | add more information to works |
| December 10, 2009 | Created by WorkBot | add works page |