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The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the function of works of art in relation to their various kinds of audience.
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Previews available in: English
Subjects
Art, Italian, Art, Early Renaissance, Sources, Italian Art, Early Renaissance Art, Art, renaissancePlaces
ItalyShowing 1 featured edition. View all 1 editions?
Edition | Availability |
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1
Behind the picture: art and evidence in the Italian Renaissance
1997, Yale University Press
in English
0300071957 9780300071955
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Edition Notes
Includes bibliographical references (p. 291-297) and index.
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The Physical Object
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