Postmodern cartographies
the geographical imagination in contemporary American culture
by Brian Jarvis
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Postmodern Cartographies explores spatial representation in a range of texts from the social sciences, prose fiction and cinema. It surveys the geography of post-industrial society as advanced in the work of Daniel Bell, Marshall McLuhan and Jean Baudrillard; analyses representations of space in novels by Thomas Pynchon, Paul Auster, Jayne Anne Phillips and Toni Morrison; and, in a key third section, examines sexual politics and body images in science fiction cinema and the films of David Lynch.
Jarvis demonstrates an essential continuity between the geographical imagination expressed in so-called postmodern culture and that evident in previous phases in the history of spatial representation.
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Previews available in: English
Subjects
History and criticism, Geographical perception in literature, Motion pictures, Landscape assessment, Geographical perception, American fiction, History, Umweltwahrnehmung, Culture in motion pictures, Postmoderne, Literatur, Evaluation, Paysage, Kultur, Perception geographique, Cinema, Histoire et critique, Perception geographique dans la litterature, Roman americain, Film, American fiction, history and criticism, 20th century, Motion pictures, history, Culture, United states, social life and customs, PostmodernismPlaces
United StatesTimes
20th century| Edition | Availability |
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Postmodern cartographies: the geographical imagination in contemporary American culture
1998, Pluto Press
in English
074531290X 9780745312903
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2
Postmodern cartographies: the geographical imagination in contemporary American culture
1998, Pluto Press
in English
0585346852 9780585346854
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zzzz
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3
Postmodern cartographies: the geographical imagination in contemporary American culture
1998, Pluto Press
in English
0745312853 9780745312859
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4
Postmodern cartographies: the geographical imagination in contemporary American culture
1998, St. Martin's Press
in English
0312213441 9780312213442
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Book Details
Edition Notes
Includes bibliographical references (p. 195-201) and index.
Filmography: p. 202.
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