Doris Salcedo
tabula rasa
by Doris Salcedo, Dan Cameron, and Charles Merewether
In her series "Tabula Rasa I-IV", Salcedo tackles the subject of rape, something that many women became the victim of during the Colombian civil conflicts and the continuing tyranny in that country. For this installation she destroyed tables, as symbols for life and living, and then put them back together with glue in a painstakingly detailed process. The reconstituted objects show the clear traces of their destruction. These everyday objects are inscribed, materially and metaphorically, with the impossibility of reversing an act of violence once it has been carried out.00Exhibition: Kunsthalle St. Annen, Lübeck, Germany (08.09. - 03.11.2019).
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Art, Exhibitions, Criticism and interpretation, Political aspects of Art, Political aspects, History of art & design styles: from c 1900 -, Individual artists, Catalogs, Collections, Catalogs, Exhibitions, Contemporary Art, Exhibition Catalogs, Salcedo, Doris, Sculpture, Art / Collections, Catalogs, Exhibitions, Sculptors, biography, Women artists, South america, biography, Plastieken, Critique et interprétation, Sculpture colombienne, Sculpteurs, Artistes, Biographies, Arte contemporânea, EsculturaPeople
Doris Salcedo (1958-)Places
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Doris Salcedo: tabula rasa
2019, Verlag der Buchhandlung Walther König, König, Walther
in German
3960986815 9783960986812
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Doris Salcedo: New Museum of Contemporary Art, SITE Santa Fe.
1998, New Museum of Contemporary Art
in English
0915557819 9780915557813
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Unland/ Doris Salcedo
May 1, 1998, New Museum of Contemporary Art
Paperback
in English
0915557819 9780915557813
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Book Details
Edition Notes
Includes bibliographical references (pages 100-101).
Parallel texts in German and English.
In conjunction with an exhibition held at Kunsthalle St. Annen, Lübeck, September 8 - November 3, 2019.
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