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Valle-Inclán's life in the theatre and his writings as a dramatist are studied. This is followed by a full bibliography of his plays, their translations, posthumous editions, and critical studies.
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Table of Contents
Phases: entrances and exits
The histrionic years (1895-1899)
The neophyte years (1903-1913)
The masterful years (1920-1936)
Premises: major themes
Masked desires (La marquesa Rosalinda)
Crowned heads (Cuento de abril, Voces de gesta, La enamorada del rey, La reina castiza, La hija del capitán)
Feudal lives (El Marqués is de Bradomín, Cara de plata, Aguila de blasón, Romance de lobos)
Triadic constructs (Romance de lobos, Divinas palabras, Luces de bohemia)
Primal fears (El Marqués de Bradomín, Comedias bárbaras, El embrujado, Divinas palabras)
Absurd times (Luces de bohemia, Divinas palabras, Los cuernos de don Friolera)
Death throes (El yermo de las almas, La cabeza del bautista, La rosa de papel, Sacrilegio, Ligazón)
Military bombast (La cabeza del dragón, Las galas del difunto, Los cuernos de don Friolera, La hija del capitán).
Edition Notes
Includes bibliographical references (p. [282]-287) and index.
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