For more than 30 years, from his earliest work in underground Arts Lab projects, through the From Hell and America's Best Comics period, to the current and controversial Lost Girls, Moore has pushed the perimeter of the comic's medium. Moore's work crosses genre boundaries like few others, ranging from farce and high comedy to the dark, grim work that epitomized the graphics novel and comics revolution of the late 1980s. This book examines recurring themes and how Moore's work has evolved over the years from his early comic work in Captain Britain and 2000.