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Book Details
Table of Contents
Madagascar: Oay Lalay e; chant malgache (girl's chorus, African-type harp acc.)
Ireland: Medley of reels [on] Drowsy Maggie, Scottish Mary, Flogging reel (Patrick J. Toohey, Uileann pipes)
Georgia, Caucasian: Greek Orthodox Church choir.
Greece: shepherd clarinet-like pipes, kanun acc.
Japan. Gagaku: Imperial sho koto chant (male singers accompanied by the koto and sho)
Nigeria, Yoruba tribe: choral "singing" conversation, with signal drums.
India: sanai gath, raga kaphi, classical (sanai, tabla, and baya drums, drone) Bombay orchestra (including esrai and jalatarang)
France, Pyrenees: dance tune (musette, with accordion acc.)
Russian gypsy: vocal, with harmonica acc.
Bali, Gender Wajang: gamelan orchestra of Koeta.
Arabia: vocal, with instrumental acc.
Tahiti: Maururu roa vu. Riro mau. Hah hah moorea. Tau tiri ita. Ute upa upa. (Vocal, with coconut drums acc.)
Tibet: Lament for the
Edition Notes
Manual sequence.
Vocal and instrumental music recorded from the editor's collection.
Program notes by the editor in album pocket.
(cont) dead, chant.--United States: Pretty Polly (vocal, with banjo acc.)--Iceland: Song of greeting Hlidarendakoti, rymur.--Spain: Paternas, canto hondo (vocal, with guitar acc.)
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