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Fables in Frames argues that the increased interest in the fables of La Fontaine during the nineteenth century resulted largely from the activities of artists, who offered the seventeenth-century fables new contexts for a post-Revolution age. First in caricature and book illustrations and later in Salon painting, artists transformed the fables to comment on contemporary issues.
The goal of this study is to tackle the general issue of why La Fontaine's fables appeared in art at all during the nineteenth century and to explore the specific questions of how certain artists made those texts culturally normative.
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Fables in frames: La Fontaine and visual culture in nineteenth-century France
1997, Peter Lang
in English
082043096X 9780820430966
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Includes bibliographical references.
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