The progress of romance

literary historiography and the Gothic novel

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Last edited by MARC Bot
August 1, 2024 | History

The progress of romance

literary historiography and the Gothic novel

In this vigorous response to recent trends in theory and criticism, David H. Richter asks how we can again learn to practice literary history. Despite the watchword "always historicize," comparatively few monographs attempt genuine historical explanations of literary phenomena.

Richter theorizes that the contemporary evasion of history may stem from our sense that the modern literary ideas underlying our historical explanations - Marxism, formalism, and reception theory - are unable, by themselves, to inscribe an adequate narrative of the origins, development, and decline of genres and style systems. Despite theorists' attempts to incorporate others principles of explanation, each of these master narratives on its own has areas of blindness and areas of insight, questions it can answer and questions it cannot even ask.

But the explanations, however differently focused, complement one another, with one supplying what another lacks.

Using the first heyday of the Gothic novel as the prime object of study, Richter develops his pluralistic vision of literary history in practice. Successive chapters outline first a neo-Marxist history of the Gothic, using the ideas of Raymond Williams and Terry Eagleton to understand the literature of terror as an outgrowth of inexorable tensions within Georgian society; next, a narrative on the Gothic as an institutional form, drawn from the formalist theories of R. S.

Crane and Ralph Rader; and finally a study of the reception of the Gothic - the way the romance was sustained by, and in its turn altered, the motives for literary response in the British public around the turn of the nineteenth century.

In his concluding chapter, Richter returns to the question of theory, to general issues of adequacy and explanatory power in literary history, to the false panaceas of Foucauldian new historicism and cultural studies, and to the necessity of historical pluralism. A learned, engaging, and important book. The Progress of Romance is essential reading for scholars of British literature, narrative, narrative theory, the novel, and the theory of the novel.

Publish Date
Language
English
Pages
242

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Book Details


Edition Notes

Includes bibliographical references (p. 207-229) and index.

Published in
Columbus
Series
The theory and interpretation of narrative, Theory and interpretation of narrative series.

Classifications

Dewey Decimal Class
823/.0873809
Library of Congress
PR830.T3 R53 1996, PR830.T3R53 1996

The Physical Object

Pagination
xi, 242 p. :
Number of pages
242

ID Numbers

Open Library
OL815514M
Internet Archive
progressofromanc0000rich
ISBN 10
0814206948, 0814206956
LCCN
95053094
OCLC/WorldCat
33983143
Library Thing
628833
Goodreads
731428
864727

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History

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August 1, 2024 Edited by MARC Bot import existing book
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April 28, 2010 Edited by Open Library Bot Linked existing covers to the work.
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December 10, 2009 Created by WorkBot add works page