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Martin Ashley presents a unique consideration of boys' singing that shows the high voice to be historically, culturally and physiologically more problematic even than is commonly assumed. Through Ashley's extensive conversations with young performers and analysis of their reception by 'peer audiences', the research reveals that the common supposition that 'boys don't want to sound like girls' is far from adequate in explaining the 'missing males' syndrome that can perplex choir directors. The book intertwines the study of singing with the study of identity. --from publisher description
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Previews available in: English
Subjects
Singing, Men, psychology, Social aspects, Boys, Psychology, Change of Voice, Instruction and study, Psychological aspects, Chant, Aspect social, Garçons, Psychologie, Voix, Mue, Étude et enseignement, Aspect psychologique, MUSIC, Instruction & Study, Voice, Printed Music, Piano-Vocal-GuitarEdition | Availability |
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How high should boys sing?: Gender, authenticity and credibility in the young male voice
2009, Ashgate Pub., Ashgate
Hardcover
in English
0754664759 9780754664758
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Book Details
Table of Contents
The background
Singing as social control of boyhood
The physiology of the young male voice
Subjectivity and agency in the young male voice
Admiration of the boy
A child doing a man's work in a man's world
Angels in the market place
We can't sing like men, so we won't sing at all
Ambassadors and mediators
The future.
Edition Notes
Includes index.
Classifications
The Physical Object
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Feedback?December 15, 2022 | Edited by MARC Bot | import existing book |
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October 8, 2010 | Edited by menolly42 | Added pagination, "What's it about?" |
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