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Continuing the collaboration of over 30 years between the New York-based artists Arakawa and Madeline Gins, this book is a unique and predominantly visual exploration into architecture and its centrality to the project of human self-knowledge and self-formation, carrying philosophical argument into the realm of construction. It asks what is the nature of perception? and how does the human being relate to surrounding space?
Recording and documenting what it is actually like for a person to stand within a piece of architecture, this is the first systematic study of the role the body and bodily movement play in the forming of the world. Through a series of computer-generated images of great beauty and intricacy, the reader is presented with ways of reworking the man-made world that is architecture. Going further, the book suggests a revolutionary re-invention of the planet and, by extension, the universe.
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Subjects
Themes, motives, Avant-garde (Aesthetics), History, Individual artists, Theory of architecture, Postwar period, 1945 to c 2000, Second World War, 1939-1945, Reference, Architecture, Individual Artist, Arakawa, Shusaku, Gina, Madeline, Gins, Madeline, Architecture, history, Modern Architecture, Designs and plans, PerceptionTimes
20th centuryShowing 2 featured editions. View all 2 editions?
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1
Architecture: Sites of Reversible Destiny : Architectural Experiments After Auschwitz-Hiroshima (Art & Design Monographs)
November 1994, John Wiley & Sons
Paperback
in English
1854902792 9781854902795
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2
Arakawa and Madeline Gins: architecture : sites of reversible destiny (architectural experiments after Auschwitz-Hiroshima)
1994, Academy Editions
in English
1854902792 9781854902795
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Feedback?July 17, 2024 | Edited by MARC Bot | import existing book |
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